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Daphne II, Yellow Ochre
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Daphne II Black
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Daphne II Purple
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Daphne II Red
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Daphne I Khaki
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Daphne I Orange
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Daphne I Yellow
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Daphne II prints on Hahnemühle, 350g, engraving paper. All other goddess prints on renovation paper.
Daphne I Grey
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Persephone Washed Blue
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Persephone Blue
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Persephone Red
Charbonnel intaglio ink and wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Persephone Washed Red
Charbonnel intaglio ink and wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
The Red Shoe IX.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
The Red Shoe VIII.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
The Red Shoe VII.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
The Red Shoe VI.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
The Red Shoe V.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
The Red Shoe IV.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
The Red Shoe III.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
The Red Shoe II.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
The Red Shoe I.
Charbonnel intaglio ink on Hahnemühle, 350g, paper,
80 x 55 cm.
A series of nine prints in which the presence of the shoe gradually disappears, as do the spirit and life of victims of domestic violence.
In these works, I have taken the image of my red shoe to suggest the body of a woman, of all women, who have been subjected to violence, whether physical, psychological or financial or even murdered, usually by a man who is a family member.
Marate Blue
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
29,5 x 22.
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Marate, b&w I
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
29,5 x 22.
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Marate, b&w II
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
29,5 x 22.
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Marate, b&w III
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
29,5 x 22.
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Marate, white
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
29,5 x 22.
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
We Are Watching I
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
24,5 x 19,5.
We Are Watching II
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
24,5 x 19,5.
Women, Life, Freedom I
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
30 x 19,5.
In memory of the Iranian woman Mahsa Amini, who has become an icon of the ‘Women, Life, Freedom’ movement in Iran. She was arrested in September 2022, for allegedly violating Iran's mandatory hijab law by wearing her hijab "improperly". According to eyewitnesses, she was severely beaten by the officers. She collapsed from her injuries and died in hospital three days later.
Women, Life, Freedom II
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
30 x 19,5.
In memory of the Iranian woman Mahsa Amini, who has become an icon of the ‘Women, Life, Freedom’ movement in Iran. She was arrested in September 2022, for allegedly violating Iran's mandatory hijab law by wearing her hijab "improperly". According to eyewitnesses, she was severely beaten by the officers. She collapsed from her injuries and died in hospital three days later.
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