Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemûhle, 350g, engraving paper. All other goddess prints on renovation paper.
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Daphne II prints on Hahnemühle, 350g, engraving paper. All other goddess prints on renovation paper.
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Charbonnel intaglio ink on wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Charbonnel intaglio ink and wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Charbonnel intaglio ink and wall renovation paper
120 x 78
This series of twelve etchings illustrates the Greek myths of Daphne and Persephone, who were both victims of rape and abduction. In these images the young women are attempting to escape the male God, who is grasping them with his powerful hands.
Dahne II prints on Hahnemühle, 350g, engraving paper.
All other goddess prints on renovation paper.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
39 x 28
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
39 x 28
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
39 x 28
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
39 x 28
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
39 x 28
This series of five prints was inspired by the famous French painting La Mort de Marat, painted by Jacques-Louis David, in 1793 . It depicts the French revolutionary leader, Jean-Paul Marat, who was assassination in his bath by Charlotte Corday on 13 July 1793.
I have replaced the male protagonist with a women to symbolise the patriarchy’s responsibility for femicides.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
39 x 28
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
39 x 28
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
39 x 28
In memory of the Iranian woman Mahsa Amini, who has become an icon of the ‘Women, Life, Freedom’ movement in Iran. She was arrested in September 2022, for allegedly violating Iran's mandatory hijab law by wearing her hijab "improperly". According to eyewitnesses, she was severely beaten by the officers. She collapsed from her injuries and died in hospital three days later.
Charbonnel intaglio ink on Hahnemühle, 350g, engraving paper.
120 x 78
In memory of the Iranian woman Mahsa Amini, who has become an icon of the ‘Women, Life, Freedom’ movement in Iran. She was arrested in September 2022, for allegedly violating Iran's mandatory hijab law by wearing her hijab "improperly". According to eyewitnesses, she was severely beaten by the officers. She collapsed from her injuries and died in hospital three days later.
For inquiries, commissions or purchase contact me.